Used Nikon 24mm F2.8 AI-d N/MF
- F Mount Lens/FX Format
- Aperture Range: f/2.8 to 22
- Super Integrated Coating
- Manual Focus; Close-Range Correction
- Aperture Control Ring
- Minimum Focus Distance: 12″
- Filter Diameter: 52mm
- 7-Blade Diaphragm
Out of stock
The Nikon NIKKOR 24mm f/2.8 Lens is a compact, lightweight and fast wide-angle lens useful for architectural photography, landscapes, environmental portraiture and many other applications. Its f/2.8 maximum aperture makes it effective in low light and when shooting hand-held. It provides a 36mm focal length equivalence when used on DX format Nikon DSLRs.
The Close-Range Correction (CRC) system provides superior picture quality at close focusing distances down to 12″ and Nikon’s Super Integrated Lens Coating improves light transmission, reducing ghosting and flare. The lens weighs just 9.7 oz and accepts 52mm filters.
An integrated aperture control ring enables manual control of exposure in addition to lens’ support of AE control through the camera body. For programmed auto or shutter-priority auto exposure shooting, use the minimum aperture lock lever to lock the lens aperture at f/22.
- A high quality super-wide angle lens with more controllable perspective than a 20mm lens
- Classic Nikon manual focus construction
- Lens Caps
“Like New Minus” – the rating of the equipment is at 97 to 99 percent of original condition. Only the closest inspections will reveal slight wear. Perfect glass, but the box and accessories are usually not included. “Excellent Plus” – rates 90 to 96 percent of original condition. Exceptionally nice, but may have slight wear on finish visible only under close inspection. Glass will be very clean. “Excellent” – 80 to 89 percent of original. Shows moderate wear for the age of the item, with the possibility of small dings or blemishes. Glass may have slight blemishes but will not affect picture quality. “Bargain” – items are 70 to 79 percent of original condition. More than average wear for the age of the item, and may have dents, dings or finish loss. Glass may have marks or blemishes, but should not affect picture quality. “Ugly” – The look only a photographer would love. “UGLY” means equipment is rough, with multiple impressions in metal, excessive finish loss and brassing. Glass will have marks, fungus and/or haze which will affect picture quality.