Sigma 70-200mm F2.8 EX DG OS HSM APO S/AF

Used Sigma 70-200mm F2.8 EX DG OS HSM APO Canon/AF

$875.00

Condition: Excellent Condition

PRODUCT HIGHLIGHTS

  • Up to 4 Stops of Optical Stabilization
  • Optimized for Canon Full-Frame DSLRs, Compatible with APS-c Sensors as well
  • Auto and Manual Focus
  • Super Multi-Layer Lens Coating
  • Fast f/2.8 Maximum Aperture
  • Fast & Quiet Hyper-Sonic Motor (HSM)
  • 77mm Filter Size
  • Excellent for Action/Low-Light Shooting
  • 55.1″ (140cm) Close Focusing Distance
  • Lens Hood & Adapter Included

Out of stock

Product Description

The Sigma 70-200mm f/2.8 EX DG APO OS HSM for Canon is the second generation of large-aperture telephoto zoom lenses incorporating Sigma’s OS (Optical Stabilizer) anti-shake system. It offers the equivalent of shooting at shutter speeds 3 to 4 stops slower than without OS, thus allowing handheld telephoto zoom shooting even in poorly lit conditions. Its HSM ensures quiet and high speed AF as well as full-time manual focusing.

It features a large maximum aperture of f/2.8 that remains constant throughout the zoom range, making it incredibly valuable when shooting in low light situations such as wedding or other events. It is also great when shooting fast-moving subjects such as sports, when fast shutter speeds are needed to capture fleeting moments. The 70-200mm f/2.8 is fast and versatile and at a length of 7.8 (19.8cm) will be a tool that seldom sees the inside of your camera bag. The lens comes with a petal-type lens hood plus an adapter to extend its length for users with APS-c cameras.

  • Sigma’s New APO 70-200mm F2.8 EX DG OS HSM is the second generation of this large aperture telephoto zoom lens now incorporating Sigma’s Optical Stabilization (OS) anti-shake system. It uses two sensors inside the lens to detect vertical and horizontal movement of the camera. It works by moving an optical image stabilizing lens group, to effectively compensate for camera shake.
  • Two FLD (“F” Low Dispersion) glass elements, which have the performance equal to expensive fluorite glass, and three SLD (Special Low Dispersion) glass elements, combine to provide excellent reduction of aberrations and image quality.
  • The rounded 9 blade diaphragm creates an attractive blur to the out of focus images (bokeh).
  • Sigma has managed to make the lens more compact than its predecessor, measuring only 7.8″ (8.64cm) in length.
  • The Super Multi-Layer lens coating reduces flare ghosting and assures high image quality throughout the entire zoom range.
  • The exterior of this lens is EX-finished to denote the superior build and optical quality, and to enhance its appearance.
  • The lens DG designation translates to large-aperture lenses with wide angles and short minimum focusing distances. With an abundance of peripheral illumination, they are ideal lenses for Digital SLR Cameras while retaining suitability for traditional 35mm SLRs.

Note: This lens is optimized for full-frameCanon DSLRs and may also be used with smaller APS-c size sensors but it will increase focal length to about 100-300mm with most cameras.

Note: Optical Stabilizer (OS) function will not work with film SLR cameras

Accessories Included:

  • Lens Caps
  • Lens Hood
  • Lens Case

U48358-EX

Additional Information

Product Condition

“Like New Minus” – the rating of the equipment is at 97 to 99 percent of original condition. Only the closest inspections will reveal slight wear. Perfect glass, but the box and accessories are usually not included.
“Excellent Plus” – rates 90 to 96 percent of original condition. Exceptionally nice, but may have slight wear on finish visible only under close inspection. Glass will be very clean.
“Excellent” – 80 to 89 percent of original. Shows moderate wear for the age of the item, with the possibility of small dings or blemishes. Glass may have slight blemishes but will not affect picture quality.
“Bargain” – items are 70 to 79 percent of original condition. More than average wear for the age of the item, and may have dents, dings or finish loss. Glass may have marks or blemishes, but should not affect picture quality.
“Ugly” – The look only a photographer would love. “UGLY” means equipment is rough, with multiple impressions in metal, excessive finish loss and brassing. Glass will have marks, fungus and/or haze which will affect picture quality.

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